In 2020, Taijiquan was designated by UNESCO as an Intangible Cultural Heritage of Humanity. Note 1 It behooves us as taijiquan players to help preserve the classic Chinese literature of the art. One area that needs our attention is the digitization of materials printed before the advent of modern computer character encoding and fonts.
The problem, as I see it, is that some Chinese characters used in older taijiquan texts are not available for use in modern digital fonts. Available substitutes are used.
For example, the graphic at right shows the Eight Energies characters as depicted in an excerpt from the book “A Guide to Taijiquan” Note 2. Here I will use these characters to illustrate the problem, but there may be many more such characters which should be included when considering the scope of this question. To me, there is a visual consistency in these characters taken as a whole that is missing when only available modern characters are used, in particular, the presence of the hand radical (扌) in each these traditional characters. In addition, I think it may be important from an historical perspective to preserve these characters and their usage. That is, a closer connection to the original can be maintained.
There are three aspects to the problem of these missing characters:
Is it possible to preserve Chinese characters as they appeared in early taiji and other martial arts texts by making them available in modern digital fonts? I think so if at least two aspects of the problem are addressed.
Characters to preserve in modern fonts. Note 4 | Most often seen in digital use | Desired character available in most digital fonts | Missing from Unicode, hence from any digital font | Has code point but glyph not available in most digital fonts | Needs pinyin and definition for dictionary lookups |
掤 | 掤 | X | péng | ||
| 捋 | X | lǚ | ||
擠 Note 5 | 挤 | X | |||
按 | 按 | X | |||
採 | 采 | X | |||
挒 | 列 | X | |||
| 肘 | X | zhǒu | ||
| 靠 | X | kào |